• The Menus
• [PROJECT]

Enter a search term and click .

Adjust the project setting for movie recording.

---

[IMAGE FORMAT]

You can set the format of movies to be shot depending on the lens to be used.

[IMAGE FORMAT]

Select the format of movies to be shot depending on the lens to be used. Resolution and aspect ratio are set by [RESOLUTION].

Option	Description
[GF]	Shoot in the optimal format for GF Series lenses.
[Premista]	Shoot in the optimal format for Premista Series lenses.
[35mm]	Shoot in the optimal format for 35-mm format lenses.
[ANAMORPHIC (35mm)]	Shoot in the optimal format for anamorphic lenses. You can configure the lens magnification or whether to use the desqueeze display when recording movies using [MAGNIFICATION] or [DESQUEEZE DISP. IN RECORDING].
[Super35]	Shoot in the optimal format for Super 35mm format lenses.

[MAGNIFICATION]

Set the lens magnification when shooting with anamorphic lenses.

Options
2X	1.8X	1.5X	1.33X	1.3X

[DESQUEEZE DISP. IN RECORDING]

Choose whether to use the desqueeze display when shooting with anamorphic lenses.

Options
[ON]	[OFF]

[RESOLUTION]

Choose a combination of resolution and aspect ratio for movie recording. The options available vary with the format.

[PROJECT FPS]

Set a frame rate for the movie file to be recorded.

Options
23.98	24	25	29.97
47.95	48	50	59.94

[F-Log/HLG/RAW]

Specify the gamma and color gamut for the movie to be recorded and whether to output RAW footage.

[MEDIA REC/LCD OUTPUT]

Specify the gamma and color gamut for the movie to be recorded to a memory card or SSD and movie to be displayed on the LCD monitor.

Options
[FILM SIMULATION]	[F-Log2]	[F-Log2 C]
[F-Log]	[HLG]

[SDI/HDMI OUTPUT]

Specify the gamma and color gamut for the movie to be output from the SDI or HDMI connector.

Options
[FILM SIMULATION]	[F-Log2]	[F-Log2 C]
[F-Log]	[HLG]

[SDI/HDMI OUTPUT RAW SETTING]

Choose whether to output RAW movie from the SDI or HDMI connector for an external recorder.

Options
[ATOMOS RAW]	[Blackmagic RAW]	[OFF]

[FILM SIMULATION]

Select the type of film simulation.

Option	Description
c[PROVIA/ STANDARD]	Ideal for a wide range of subjects.
d[Velvia/ VIVID]	Vibrant reproduction, ideal for landscape and nature.
e[ASTIA/ SOFT]	Softer color and contrast for a more subdued look.
i[CLASSIC CHROME]	Soft color and enhanced shadow contrast for a calm look.
c[REALA ACE]	Faithful color reproduction with hard tonality suitable for various scenes.
g[PRO Neg. Hi]	Ideal for portrait with slightly enhanced contrast.
h[PRO Neg. Std]	Neutral tonality, best for editing images. Ideal for portrait with soft gradations and skin tones.
g[CLASSIC Neg.]	Enhanced color with hard tonality to increase image depth.
n[NOSTALGIC Neg.]	Amber tinted highlights and rich shadow tone for printed photo look.
X[ETERNA/ CINEMA]	Soft color and rich shadow tone suitable for film look movie.
N[ETERNA BLEACH BYPASS]	Unique color with low saturation and high contrast. Suitable for still and movie.
a[ACROS]	Shoot in Black and White In rich details with sharpness. Available with yellow ([Ye]), red ([R]), and green ([G]) filters, which deepen shades of gray corresponding to hues complementary to the selected color. d[ACROS+Ye FILTER]: Slightly enhances contrast and darkens skies. c[ACROS+R FILTER]: Enhances contrast and darkens skies considerably. b[ACROS+G FILTER]: Produces pleasing skin tones in portrait.
b[MONO CHROME]	Shoots in black and white. Available with yellow ([Ye]), red ([R]), and green ([G]) filters, which deepen shades of gray corresponding to hues complementary to the selected color. e[MONOCHROME+Ye FILTER]: Slightly enhances contrast and darkens skies. d[MONOCHROME+R FILTER]: Enhances contrast and darkens skies considerably. f[MONOCHROME+G FILTER]: Produces pleasing skin tones in portrait.
f[SEPIA]	Shoots in sepia tone.

[LUT SETTING]

Select the LUT to apply to each type of footage. LUT settings recorded on the memory card can also be loaded into the camera for use.

Options
[FILM SIMULATION]	[F-Log2]	[F-Log2 C]
[F-Log]	[HLG]

[MEDIA REC SETTING]

Choose settings for clips to be recorded internally.

[REC MEDIA]

Choose the recording destination for the clips.

Options
[SLOT 1]	[SLOT 2]	[SEQENTIAL]
[BACKUP]	[SSD]	[SDI/HDMI OUTPUT ONLY]

[FILE FORMAT]

Choose the container format for the clips to be recorded.

Options
[MOV]	[MXF]

[MEDIA REC SETTING]

Choose the codec for the clips to be recorded.

[ProRes PROXY]

Choose whether the camera simultaneously records a duplicate “proxy” video with movies shot in ProRes format.

Options
[H.264]	[ProRes Proxy]	[OFF]

[BITRATE]

Choose the bitrate for the clips to be recorded.

[CLIP SETTING]

Set the information applied to the recorded movies.

[CAMERA ID]

Set the camera name.

[REEL NO]

Set the starting number for the sequential number to be added to the file name.